藝術家丁昶文透過裝置與影像，回望潟湖的消逝、水源的枯竭與地層的變動。從猴群的行跡、地下水的流失，到石頭裡殘存的海底遺骸，作品將這些物質線索編織成一段關於地景演變與記憶流失的故事，回應當代人與環境之間日益斷裂的感知。

丁昶文的作品擅長處理影像及物件等混合媒材的空間裝置，這些作品深受個人經驗啟發，常以現成物置於特定展覽背景下，演變成為特定的歷史敘事。在令人驚訝的創新當中，他嘗試解構、闡釋和重新詮釋著我們共享的歷史，並審視物質文化、歷史衝突、集體記憶和跨境存在等現象及問題。

藝術家丁昶文帶温思妮走進柴山的地下水道，她才驚覺自己忽略了身邊的水——水不只是山間清澈的溪流，也藏身於城市地底，被切割、污染、遺忘。地球上的水從未消失，它在我們體內蒸散、分流、降落，終會再次相遇。

在展場，温思妮邀請你穿過狹長的甬道，一起感受這種體感。同時，合作藝術家孫佳暄的織品也攀附在咕咾石上，轉述著壽山的海洋過往。

::温思妮::

柏林戲劇學院偶戲碩士，劇場導演、戲劇構作。2015年回到高雄，重新向台灣學習。關注都市發展與人的關係，以地方記憶、想像與認同，結合多種藝術形式於非典型空間演出。

::孫佳暄::

印花織品設計師、劇場服裝設計師。人體生物醫學背景跨領域到織品工藝，穿梭在織品纖維、服裝、劇場、異材質的創作設計，並透過服裝結構發展織品與人之間的關係。

Through installation and video work, the artist Chaong-Wen Ting revisits the disappearance of Shoushan’s lagoon past, the depletion of groundwater, and shifts in the geological landscape. From the movements of monkeys and the drying of springs to marine remnants embedded in stones, the work weaves together material traces into a story of environmental transformation and the fading of collective memory—questioning how we sense and relate to the land today.

Chaong-Wen Ting specialize in artworks presented as installations of mixed media incorporating images and objects. Inspired by personal experiences, his works are often site-specific, utilizing ready-made objects in local context evolving into unique historical narratives. With surprising innovations, Ting deconstructs and reinterprets our shared history, examining phenomena and issues such as material culture, historical conflict, collective memory, and cross-border existence.

Led by artist Chaong-wen Ting into Shoushan’s underground springs, Szu-Ni Wen reencounters water—not just clear mountain streams, but hidden urban flows, divided and forgotten.

In the exhibition, she invites you to walk a narrow corridor and feel this presence, alongside Chia-Hsuan Sun’s textiles that echo Shoushan’s oceanic memory.

Szu-Ni Wen is a theater director and dramaturg with a master’s degree in Puppetry from Ernst Busch University of Theatre Arts Berlin. Since 2015, she has returned to Kaohsiung and re-studied the island of Taiwan. Focusing on the relationship between urban development and people, her art practice combines local memory, imagination and identity with a variety of art forms performed in atypical spaces.

Printed fabric designer & theatrical costume designer. Chia-Hsuan Sun’s background is in human biomedicine crossing the field of textile craft. Shuttling through the creation and design of fabric fibers, clothing, theater, and multiple materials, she develops her works with a focus on the relationship between fabrics and people through the structure of clothing.